ClevelandClassical.com editors’ top five event picks for the week of March 2, 2015. Do enjoy.
Cavani Quartet 30th Anniversary. This all-female string quartet was established three decades prior in Columbus and has invested the greater part of now is the ideal time from that point forward in living arrangement at the Cleveland Institute of Music, preparing youthful performers through the Intensive String Quartet Program and tackling huge group extends (a couple of years back, they played the majority of Beethoven's sixteen quartets around the range, each one in turn, openly libraries). Violinists Anne Fullard and Mari Sato, violist Kirsten Docter and cellist Merry Peckham commend this breakthrough with a show of music by Shostakovich and Mendelssohn, joined by their old companions, violist Donald Weilerstein and musician Vivian Hornik Weilerstein. It's free on Wednesday, March 4 at 8:00 pm in Kulas Hall at CIM.
Westminster Abbey organist James O'Donnell crosses the lake for a short American visit not long from now. He brings in at St. Paul's Episcopal Church in Cleveland Heights on Friday, March 6 at 7:30 pm to play choices from J.S. Bach's German Organ Mass, British pieces by Elgar and Vaughan Williams, and determinations from Charles-Marie Widor's Symphony No. 6. Because of St. Paul's and the Cleveland section of the American Guild of Organists, the show on the Holtkamp organ is free, yet gifts are welcome. O'Donnell will likewise show his mastery in meeting expectations with youthful voices on Saturday, March 7 at Trinity Cathedral. A day-long workshop for trebles closes with Choral Evensong at 3:00 pm.
Les Délices, Cleveland's specialists in French extravagant music, collaborate with soprano Nola Richardson to perform Tenebrae Lessons (settings of verse by Hebrew prophet Jeremiah) by François Couperin and Marc-Antoine Charpentier. Likewise in the band: Debra Nagy & Kathie Stewart, recorders and woodwind, Julie Andrijeski & Scott Metcalfe, violins, Cynthia Black, viola, Josh Lee, viola da gamba & Michael Sponseller, organ. You have three chances to catch this demonstrate: its free on Friday, March 6 at 7:30 pm in Fairchild Chapel at Oberlin, yet you'll need tickets on Saturday, March 7 at 8:00 pm at Historic St. Dwindle's in downtown Cleveland and on Sunday, March 8 at 4:00 pm at Plymouth Church in Shaker Heights. Take in more about the music on Sunday at 3 from preconcert speaker Peter Bennett.
The Oberlin Contemporary Music Ensemble, drove by Tim Weiss, gives the world debut exhibitions of another work by Oberlin personnel writer Aaron Helgeson. His Snow Requiem is in view of the celebrated 1888 "Kids' Blizzard" that asserted several lives in the upper Midwest. The piece characteristics soprano Alice Teyssier and violinist David Bowlin, alongside a 16-voice tune, strings, percussion, and harp. The captivating program likewise incorporates Sofia Gubaidulina's Concerto for Bassoon and Low Strings with Ben Roidl-Ward in the performance part, and the late British author Jonathan Harvey's Wheel of Emptiness. There are two exhibitions: on Friday, March 6 at 8:00 pm in Oberlin's Warner Concert Hall (free), and on Saturday, March 7 at 2:00 pm in Gartner Auditorium at the Cleveland Museum of Art ($5 at the entryway).
Also right on time one week from now, the Rocky River Chamber Music Society brings the Vienna Piano Trio to its free, Monday evening arrangement on March 9 at 7:30 pm at West Shore Unitarian Church. The system incorporates Beethoven's "Cockatoo" Variations, Brahms' Trio No. 1 in its unique variant, and — here's the truly fascinating thing a piano course of action by Eduard Stuermann of Arnold Schoenberg's renowned string sextet, Transfigured Night (Verklärte Nacht), in light of a sonnet by Richard Dehmel.
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